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  5045

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  5045 Primary Source Enhancer The 5045 Primary Source Enhancer is exceptionally useful at reducing feedback without negatively impacting the sonic integrity of the source signal, effectively increasing the level a microphone can be raised before feedback occurs in a live sound environment by up to 20dB. With controls that are very simply laid out and

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  5045

  5045 Primary Source Enhancer

  The 5045 Primary Source Enhancer is exceptionally useful at reducing feedback without negatively impacting the sonic integrity of the source signal, effectively increasing the level a microphone can be raised before feedback occurs in a live sound environment by up to 20dB. With controls that are very simply laid out and generally require minimal adjustment, the 5045 is an invaluable tool for churches, stadiums, performance halls, or any venue where feedback is problematic. The 5045 shares some traits with conventional “noise gates”, but operates on a different principle. One common aspect is that both reduce the gain during the absence of signal – or more specifically, both begin to attenuate when the level of a signal falls below a certain user-defined threshold. The 5045 senses when someone is speaking or singing into the mic and allows the signal to pass through, and senses when the person has stopped talking or singing and reduces the gain appropriately, which helps reduce the system’s tendency to feed back. Most importantly, the 5045 does not require filtering and digital processing to achieve significant benefits.

  Threshold
  Continuously variable from -20 to 10dBu
  Depth
  Continuously variable from 0 to 20dBu
  Time Constants
  Peak Mode:
  A: 50mS B: 100mS
  C: 200mS
  D: 750mS
  E: 1.5S
  F: 3S
  RMS Mode Time Constant data collected using 10dB bursts.
  Attack: fixed 20mS
  Release:
  A: 20mS
  B: 200mS
  C: 1S
  D: 2S
  E: 5S
  F: 30S
  Maximum Output Level:
  +25dBu
  Total Harmonic Distortion and Noise
  Feedback Suppressor Engaged: Main Output
  Better than 0.002%
  Noise
  Feedback Suppressor Engaged: Measured @ Main Output, un-weighted, 22Hz-22kHz, 50 ohm terminated input
  Better than -100dBu
  Better than -95dBu
  Frequency Response
  Main Output
  @ 20Hz -3dB
  @150kHz -3dB
  Crosstalk
  Measured Channel to Channel
  Better than -80dB @ 16kHz

• 

  BLMP 1 – WHITE

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  BLMP 1 – WHITE

  Module multiplayer MP3 (USB/SD). tuner FM.

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  5051

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  5051 (vertical only) Inductor EQ and Compressor The 5051 combines a classic three band EQ based on Rupert’s vintage designs with the power and flexibility of the Portico II compressor. Utilizing a fully-discrete, class-A signal path and high performance input and output transformers, the 5051 delivers the performance and musicality expected from a Rupert Neve

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  5051

  5051 (vertical only) Inductor EQ and Compressor

  The 5051 combines a classic three band EQ based on Rupert’s vintage designs with the power and flexibility of the Portico II compressor. Utilizing a fully-discrete, class-A signal path and high performance input and output transformers, the 5051 delivers the performance and musicality expected from a Rupert Neve Design.

  Frequency Response:
  Main Output, no load, –3 dB @ 2.5 Hz
  –3 dB @ 125 kHz
  Noise:
  Measured at Main Output, unweighted, 22Hz-22kHz, Terminated 40 Ohms, With gain at unity
  better than –102 dBu
  Maximum input:
  from 20 Hz to 20 kHz, +25 dBu.
  Maximum output:
  from 20 Hz to 20 kHz is +25 dBu. Total Harmonic Distortion and Noise: from <10 Hz to 80 kHz,
  @ 1kHz, +20 dBu output: Better than 0.002% @ 20Hz, +20 dBu out Better than 0.120%
  13
  @ 20kHz, +20 dBu out Better than 0.010%
  Maximum input:
  from 20 Hz to 20 kH, +24.5 dBu
  Maximum output:
  from 20 Hz to 20 kHz, +24.5 dBu
  Total Harmonic Distortion and Noise:
  from <10 Hz to 80 kHz, @ 1kHz, +20 dBu output: Better than 0.007% @ 20Hz, +20 dBu out Better than 0.120% @ 20kHz, +20 dBu out Better than 0.070%
  The Compressor
  (Threshold at +20 dB, Ratio at 1.1:1, Gain at 0)
  Noise:
  Measured at Main Output, unweighted, 22Hz-22kHz, Terminated 40 Ohms.
  Better than –92 dBu
  Maximum input:
  from 20 Hz to 20 kHz, +25 dBu.
  Maximum output:
  from 20 Hz to 20 kHz, +25 dBu.
  Total Harmonic Distortion and Noise:
  from <10 Hz to 80 kHz @ 1kHz, +20 dBu output: Better than 0.020% @ 20Hz, +20 dBu output Better than 0.140% @ 20kHz, +20 dBu output Better than 0.070%

• 

  MD 4 SPLITTER

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  MD 4 SPLITTER

  Splitter & buffer. 4 ways. Conect. XLR 3 & 5. 1 HU rack 19"