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Rupert Neve Designs

As one of the foremost pioneers in recording technology, the sound of Mr. Rupert Neve’s designs have guided the lathe of countless records in almost every conceivable genre. With 80+ years of design experience, Rupert’s story spans the globe; from growing up in Argentina before WWII, to creating the first “modern” recording consoles in England, to elevating analogue circuit design for the digital world in Texas.

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RMP-D8
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For the last decade, the world’s leading live sound engineers have chosen Rupert Neve Designs as some of the only analog equipment to accompany their digital touring rigs. With mastering-grade 24-bit 192kHz converters and full Dante integration, the RMP-D8 finally offers the live sound world something that studios have always coveted: the sound of Rupert
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RMP-D8

For the last decade, the world’s leading live sound engineers have chosen Rupert Neve Designs as some of the only analog equipment to accompany their digital touring rigs. With mastering-grade 24-bit 192kHz converters and full Dante integration, the RMP-D8 finally offers the live sound world something that studios have always coveted: the sound of Rupert Neve Designs.

The heart of the RMP-D8 lies in the modular mic preamp cards featuring Mr. Rupert Neve’s custom transformer designs. Unlike other integrated Dante mic preamp designs that rely primarily on a single IC for gain & tone, each channel on the RMP-D8 has a fully-realized class-A microphone preamplifier feeding a custom transformer, maintaining the high standards of Rupert Neve Designs’ standalone preamplifiers.

Noise
150 Ohm Balanced Source, AES Output, 22 Hz to 22 kHz, un-weighted+60dB Gain
-91 dBFS
Unity Gain
-110 dBFS
Frequency Response
0dBu , Unity Gain, 96Khz
30Hz to 45kHz +/- 0.2 dB
10Hz -3 dB
Input Impedance
5.5 kOhms
Gain
0 to 60 dB in 1 dB steps
High Pass Filter
-3dB @ 80 Hz, 12 dB/Octave Slope
Pad
-10 dB
Signal to Noise Ratio
84.4 dB
Dynamic Range
110 dB
Maximum Input Level
+25.5 dBu
Shipping Weight
17.6 lbs. (8 kg)
Shipping Dimensions
22” (W) x 18” (D) x 9” (H) 55.9 cm (W) x 45.7 cm (D) x 22.9 cm (H)
Power Cord Type
IEC Standard 3 Pin 18AWG Latching Type
PORTICO Y SPLITTER
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Portico Y-Splitter Cables (powers 2 units off 1 supply
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PORTICO Y SPLITTER

Portico Y-Splitter Cables (powers 2 units off 1 supply
R6 Rack Mount Kit
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Rack Mount Kit
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R6 Rack Mount Kit

Rack Mount Kit
Shelford Channel
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A Whole New Vintage – Over fifty years in the making, the Shelford Channel is the definitive evolution of the original technologies in Rupert’s classic console modules like the 1073, 1064, 1081 & 2254, thoughtfully advanced and refined for the 21st century studio. The Shelford Channel is built around Rupert Neve’s first new transformer-gain, class-A microphone
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Shelford Channel

A Whole New Vintage – Over fifty years in the making, the Shelford Channel is the definitive evolution of the original technologies in Rupert’s classic console modules like the 1073, 1064, 1081 & 2254, thoughtfully advanced and refined for the 21st century studio. The Shelford Channel is built around Rupert Neve’s first new transformer-gain, class-A microphone preamplifier in over 40 years, the “best-of-the-classics” inductor EQ section from the Shelford 5052, a tone-packed Diode bridge compressor, the analog power of variable Silk saturation, a new dual-tap transformer output stage for maintaining headroom or allowing the full driving of the Channel without clipping standard converters, and twice the operating voltage of vintage designs.

Over fifty years in the making, the Shelford Channel is the definitive evolution of the original technologies in Rupert’s classic console modules like the 1073, 1064, 1081 & 2254, thoughtfully advanced and refined for the 21st century studio. The Shelford Channel is built around Rupert Neve’s first new transformer-gain, class-A microphone preamplifier in over 40 years, the “best-of-the-classics” inductor EQ section from the Shelford 5052, a tone-packed Diode bridge compressor, the analog power of variable Silk saturation, a new dual-tap transformer output stage for maintaining headroom or allowing the full driving of the Channel without clipping standard converters, and twice the operating voltage of vintage designs. With richly-colored tonal options for making bold statements with your music, and precisely-engineered detented controls for recall, the vintage-inspired Shelford Channel maintains the soul of Rupert’s classic designs with new levels of versatility, delivering what can only be described as the combined essence of fifty years of Rupert Neve’s designs

Transformer Gain Mic Input
Like Rupert’s classic designs, the Shelford Channel’s mic input uses direct transformer coupling with 15dB of gain in the transformer itself. This extremely sensitive design utilizes the new RN4012 transformer
Direct Input
The Hi-Z front panel input uses the same discrete class-A FET with transformer topology as the Rupert Neve Designs RNDI, but it utilizes the new RN4012 input transformer directly into the microphone preamp for gain.
Dual Tap Output
The dual-tap output for the Channel’s RN2042 square-core output transformer creates both high and low headroom outputs without compromising the channel’s performance. The high headroom tap is designed capture a more pristine sound at high levels
Silk & Texture
Another advantage of the Shelford Channels’ transformer balanced output stage versus vintage modules is the addition of the variable Silk & Texture circuitry, which allows complete control over the harmonic content and saturation of the output transformer. With Silk disengaged, the output is modern and pristine, yet still retains Rupert’s signature larger-than-life transformer sound. When engaged, the harmonic content – predominantly 2nd order and 3rd order with no high order distortion
MIC/DI/LINE
Switches between microphone/direct injection input (button out) or line input (button in).
Gnd Lift
This switch separates the direct connection from audio signal ground to chassis earth.
Signal Present LED
This LED is dual function. When green, it indicates “Signal Presence” (a signal level of -20dBu). When red, it indicates 2-3dB below input stage clipping of the Mic/Line stage (+23 dBu while the pre actually clips at +25 dBu).
Mic Gain
This 12-way precision rotary switch controls gain from 0 to 66 dB in 6 dB steps.
Trim
This rotary switch provides further continuous gain adjustment over a range of +/– 6 dB.
48V
This push button switch engages phantom power on the microphone input. Please remember to press the mute button or turn down monitors and headphone sends or the channel the Shelford Channel is plugged into before toggling “+48” (and be especially cautious if you use pre-fader aux sends for headphones).
Phase
This push button switch inverts the polarity of the signal path. It illuminates when engaged. (The symbol “Ø” is often used to denote opposite polarity.)
HPF
The HPF switch engages a 12dB per octave high pass filter. The HPF potentiometer is variable from 20Hz to 250Hz, and can be used to filter out unwanted low frequencies, or in conjunction with the EQ to help shape source material.
EQ In
This swtich engages all EQ frequency bands except the HPF.
2WAY WOODRACK
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2-way Vertical Wood Rack Rupert Neve Designs 2-way Vertical Wood Rackแร็คไม้ Rupert Neve Designs Vertical Wood Rack for Two Half-Rack Shelford / Portico Series Modules Fits Two Modules Considering an investment in Rupert Neve Designs Shelford modules? You’ll need to house them, and Sweetwater has the solution: RND’s dedicated Shelford 2-way desktop rack. This attractive
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2WAY WOODRACK

2-way Vertical Wood Rack

Rupert Neve Designs 2-way Vertical Wood Rack
แร็คไม้ Rupert Neve Designs Vertical Wood Rack for Two Half-Rack Shelford / Portico Series Modules Fits Two Modules

Considering an investment in Rupert Neve Designs Shelford modules? You’ll need to house them, and Sweetwater has the solution: RND’s dedicated Shelford 2-way desktop rack. This attractive wood rack holds two Shelford modules such as the 5051 and 5052.

*Dedicated rack for for Shelford modules
*Attractive wood rack looks great on your desktop
*Holds two modules
5WAY PS
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5-way +/- 24V Power Supply Rupert Neve Designs Shelford 5-way +/- 24V Power Supply เครื่องจ่ายไฟ Neve Shelford 5-way +/- 24V Power Supply Dedicated Power Supply for Rupert Neve Designs Shelford Modules Will Power Up to Five Considering an investment in Rupert Neve Designs Shelford modules? You’ll need to power them, and Sweetwater has the solution:
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5WAY PS

5-way +/- 24V Power Supply

Rupert Neve Designs Shelford 5-way +/- 24V Power Supply
เครื่องจ่ายไฟ Neve Shelford 5-way +/- 24V Power Supply Dedicated Power Supply for Rupert Neve Designs Shelford Modules Will Power Up to Five

Considering an investment in Rupert Neve Designs Shelford modules? You’ll need to power them, and Sweetwater has the solution: RND’s dedicated Shelford power supply. This rugged, attractive brick-style unit powers up to five Shelford modules such as the 5051 and 5052 with +/- 24V on 4-pin connectors.

*Dedicated power supply for Shelford modules
*+/- 24V on 4-pin connectors
*Powers up to five modules
25WAY PS
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25-way +/- Power Supply Rupert Neve Designs Shelford 25-way +/- Power Supplyเครื่องจ่ายไฟแบบ 25ทาง Rupert Neve Designs Power Supply for Up to 25 Shelford Series Units Rupert Neve Shelford Series 25-Way Power Supply is desiged for Shelford 5051 Inductor EQ / Compressor and Shelford 5052: Mic Pre / Inductor EQ. Rupert Neve Shelford Series 25-Way Power
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25WAY PS

25-way +/- Power Supply

Rupert Neve Designs Shelford 25-way +/- Power Supply
เครื่องจ่ายไฟแบบ 25ทาง Rupert Neve Designs Power Supply for Up to 25 Shelford Series Units

Rupert Neve Shelford Series 25-Way Power Supply is desiged for Shelford 5051 Inductor EQ / Compressor and Shelford 5052: Mic Pre / Inductor EQ. Rupert Neve Shelford Series 25-Way Power Supply comes in a 2U enclosure for easy rack-mounting and its external +/- 24V supply provides exceptionally clean power, reducing the heat built-up within the modules.

*Desiged for Shelford 5051 Inductor EQ / Compressor and Shelford 5052: Mic Pre / Inductor EQ
*Comes in a 2U enclosure for 2U rack-mounting
*External +/- 24V supply provides exceptionally clean power
510
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500 Series Blank Panel
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510

500 Series Blank Panel
542
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542 "True Tape" Emulation with Variable Silk, Soft-C
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542

542 "True Tape" Emulation with Variable Silk, Soft-C
543
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543 Mono Compressor / Limiter
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543

543 Mono Compressor / Limiter
5012-H
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5012-H Duo Mic Pre (horizontal)
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5012-H

5012-H Duo Mic Pre (horizontal)
5012-V
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5012-V Duo Mic Pre (vertical)
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5012-V

5012-V Duo Mic Pre (vertical)
5015-H
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5015-H Single Channel Mic Pre / Compressor
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5015-H

5015-H Single Channel Mic Pre / Compressor
5015-V
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5015-V Single Channel Mic Pre / Compressor
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5015-V

5015-V Single Channel Mic Pre / Compressor
5017
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5017 Mobile Pre / DI / Compressor with Vari-phase Comprised of a rugged, portable chassis with world class Portico pre-amp, compressor and DI circuits as well as two channel operation, variphase, silk and DI/mic blending capabilities, the Portico 5017 is an innovative and powerful tool for recording or live performance. In replacing the Portico 5016
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5017

5017 Mobile Pre / DI / Compressor with Vari-phase

Comprised of a rugged, portable chassis with world class Portico pre-amp, compressor and DI circuits as well as two channel operation, variphase, silk and DI/mic blending capabilities, the Portico 5017 is an innovative and powerful tool for recording or live performance. In replacing the Portico 5016 Mic Pre / Variphase DI, the 5017 Mobile DPC adds single knob compression, DI / Mic Pre blending, and a go anywhere design to a well established classic. With Portico Series custom transformers and silk mode, the Mobile DPC’s sonic signature is nothing short of legendary. It’s the 5017’s revolutionary feature set however that make it an indispensable tool for studio recording, live recording and stage performances.

Dimensions
7.5” (deep) x 6.5” (wide) x 2” (high)
Frequency Response:
Main Output, no load,
–0.2 dB @ 10 Hz
–3 dB @ 160 kHz
Noise:
Measured at Main Output, unweighted, 22Hz-22kHz,
Terminated 150 Ohms.
With gain at unity better than –100 dBu
With gain at 66 dB better than –62 dBu
Equivalent Input Noise better than –128 dBu
Noise Factor 1.5dB
Maximum Output Level:
Maximum output from 20 Hz to 40 kHz is +23 dBu.
Total Harmonic Distortion and Noise:
@ 1kHz, +20 dBu output: Main Output: Better than 0.001%
@ 20Hz, +20 dBu output: Main Output: Better than 0.002%
Silk Engaged: Better than 0.2% Second harmonic
Crosstalk:
Measured channel to channel: Better than –90 dB @ 15kHz.
Phantom Power:
+48 Volts DC +/- 1%
5024
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5024 Quad Mic Pre Incorporating four channels of renowned preamplification, independent silk controls, two channels of DI inputs, and an M-S Decoder into a 1U enclosure, the 5024 is a workhorse equipped to enhance the front end performance of any digital or analogue recording system. Each channel of the Portico 5024 is based around the
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5024

5024 Quad Mic Pre

Incorporating four channels of renowned preamplification, independent silk controls, two channels of DI inputs, and an M-S Decoder into a 1U enclosure, the 5024 is a workhorse equipped to enhance the front end performance of any digital or analogue recording system. Each channel of the Portico 5024 is based around the custom transformers and class-A circuitry found in the best-selling 5012. In addition to 72dB of gain, the 5024’s mic pres include individually selectable phase, mute, phantom power, a selectable frequency high pass filter, and the Silk circuit which yields the rich warmth and presence of the renowned classic designs. Channels 1 & 2 of the 5024 feature a high-Z input designed for instrument level sources. Channels 3 & 4 feature an M-S switch, which enables Mid-Side decoding without the use of multiple console channels.

Mic Pre
Frequency Response:
Main Output, no load,
–3 dB @ 2 Hz
–3 dB @ 160 kHz
Noise:
Measured at Main Output, unweighted, 22Hz-22kHz,
Terminated 150 Ohms.
With gain at unity better than –92 dBu
With gain at 66 dB better than –56 dBu
Equivalent Input Noise better than –123 dBu
Gain:
Unity to +66dB in 6 dB steps,
Trim continuously adjustable from –6dB to +6dB
Line Input:
Trim continuously adjustable from –6dB to +6dB
Maximum Output Level:
Maximum output from 20 Hz to 40 kHz is +25 dBu.
Phantom Power:
48 Volts DC +/- 1%
Total Harmonic Distortion and Noise:
@ 1kHz, +20 dBu output: Better than 0.002%
As above, Silk Engaged: Better than 0.2% Second Harmonic
@ 20Hz, +20 dBu out Better than 0.004%
@ 20Hz, +20 dBu out Better than 0.020%
IM Distortion: Better than 0.002%

Slew rate Better than 4 V/uS
High Pass Filter:
Frequency: Selectable either 30Hz or 90Hz
Slope: 12 dB/Octave Bessel